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A woman held her phone tightly to her heart the way a minster might hold a Bible. She was anxious to...
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A woman held her phone tightly to her heart the way a minster might hold a Bible. She was anxious to take a picture of an impressive bunch of flowers that sat not so far away, but first she had to get through a crowd of others pushing their way to do the same. The cause of this was Bouquets to Art, one of the most popular events at the de Young Museum in San Francisco. Flower sellers were asked to create flower arrangements that respond to pieces of art on display, from ancient carvings to contemporary sculptures. It’s extremely attractive and also memorable, to the point that it has become a problem.
In recent years, the de Young received more than a thousand complaints from people who felt that cell phones had spoiled their experience of the exhibit. Institutions of fine art around the world face similar problems as the desire to take photographs becomes a huge attraction for museums, as well as something that upsets some of their patrons (资助人). So the de Young responded with a kind of compromise: carving out “photo free” hours during the exhibition’s six-day run.
One common complaint about the effect of social media on museum culture is that people seem to be missing out on experiences because they are so busy collecting evidence of them. A study recently published in the journal Psychological Science suggests there is some truth to this. It finds that people who keep taking photos of an exhibit and posting them on social media rather than simply observing it have a hard time remembering what they see. But the issue is complex for the professionals running museums. Linda Butler, the de Young’s head of marketing and visitor experience, acknowledges that not everyone wants a museum to be “a photo-taking play land.” Yet a lot of people do, and she believes that the de Young is in no position to judge one reason for buying a $28 ticket to be more valid than another. “If we removed social media and photography,” she says, “we would risk becoming irrelevant.” If this is a battle, signs indicate that the pro-phone crowd has already won.
1.How did the de Young respond to the dilemma?
A.By making the exhibition free of charge.
B.By setting periods without photo-taking.
C.By compromising with the government.
D.By extending the free exhibition hours.
2.The recent study finds that the use of social media in museums may _______ .
A.uncover the truth B.cause many complaints
C.accumulate evidence D.play a negative role
3.Which of the following may Linda Butler support?
A.Catering to visitors. B.Reducing admission prices.
C.Reserving judgment in public. D.Banning social media and photography.
4.What does the underlined word “irrelevant” in the last paragraph mean?
A.divorced from society B.unrelated to art
C.in line with museum regulations D.in touch with the times
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