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My whole career is about clothes – but I have no interest in fashion. What I love doing with clothes...
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My whole career is about clothes – but I have no interest in fashion. What I love doing with clothes is using them to tell a story. That’s what costume design is all about. I wasn’t one of those little girls always dressing up dolls. My parents were musicians, so there was never any money, but our household was artistic.
As a child in the 1950s there was no TV, so we drew, painted and made things out of cardboard boxes. My parents encouraged me and my younger sister to be creative – making a mess was fine, and we were even allowed to draw on one of the walls at our home in Kensington, west London. After school I studied at Central Saint Martins School of Art, where I learned how to draw patterns and cut fabric. Back then it was set design, not costumes, that most interested me.
Thanks to a childhood friend, Nick Young, I was offered some unpaid work on early Merchant Ivory film productions. For a 1978 movie called Hullabaloo Over Georgie And Bonnie’s Pictures, I was asked to put together clothes for its star, Dame Peggy Ashcroft, to wear in India. After a meeting with her, Peggy took me aside. ‘My dear, we’re getting on quite well,’ she said. ‘They’ve given me a first-class ticket to India, now if I change it for two economy flights, will you come with me?’ Of course I said yes! No question.
It was before The Jewel In The Crown and A Passage To India, and Peggy had never been to India. At 70, she was a little nervous, but great fun. We shared a room and I looked after her in every possible way. At night we sat up in our little beds, having a brandy or whisky and discussing our day. After the shoot we went on holiday to Goa together. Peggy rode around on the back of my motorbike!
I became part of the Merchant Ivory team and went on to work on many other period films, including 1996’s Sense And Sensibility. I’ve known Emma Thompson for 30 years and she’s hilarious and wonderful.
I had won an Oscar before, in 1987 for A Room With A View, and have been nominated a further eight times. I keep my Oscars on a desk that belonged to my mother in my study, so they are very much on display but off the beaten track. Not in the living room and certainly not in the downstairs loo!
For a career I somehow fell into, it’s provided me with a wonderful life, really.
1.Why did Peggy and the author make friends with each other?
A.They were of the same age. B.They worked in the same theater.
C.They were both good actors. D.They got along very well.
2.Which of the following works’ location was not mentioned?
A.The Jewel In The Crown.
B.A Room With A View.
C.Hullabaloo Over Georgie And Bonnie’s Pictures.
D.A Passage To India.
3.Why did the author mention her parents when she was a child?
A.To show she was not talented in designing clothes.
B.To amuse the readers with a funny story.
C.To show her parents inspired her creativity.
D.To share a precious memory in her childhood.
4.Which of the following best describes the author as a designer?
A.Ambitious B.Dedicated
C.Caring D.Demanding
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